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凯迪拉克·上海音乐厅2018音乐季 穿越百年——古乐大师特雷沃·平诺克与他的朋友们音乐会

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当之无愧的“古乐大师”首次访沪。

2018年获英国约克早期音乐节终身成就奖。


羽管键琴演奏 特雷沃平诺克

特雷沃•平诺克,1946年生于英国坎特伯雷,闻名世界的英国羽管键琴演奏家、指挥家,是当代复兴早期音乐演奏的开创者之一。他于1972年成立英国协奏团(The English Concert),在他的领导下,该乐团开创了古乐器演奏的历史。自2003年以来,他致力于指挥、独奏、室内乐和教育项目。2006年,为庆祝六十岁生日,他创立了欧洲勃兰登堡合奏团,该乐团录制的巴赫的勃兰登堡协奏曲唱片荣获2008年留声机大奖。他作为客席指挥与许多世界一流交响乐团合作,此外作为羽管键琴独奏家还在世界各地进行演出。

平诺克近期巡演包括,与玛利亚•若昂•皮雷斯(Maria João Pires)和德国不来梅商会爱乐乐团(Deutsche Kammerphilharmonie Bremen)、艾曼纽帕胡德(Emmanuel Pahud)、波茨坦室内学院乐团(Kammerakademie Potsdam.)和法国国家交响乐团(Orchestre National de France)一起巡演。本乐季他回归莱比锡布商大厦管弦乐团(Gewandhausorchester Leipzig)、阿姆斯特丹皇家音乐厅管弦乐团(Koninklijk Concertgebouworkest Amsterdam)、柏林德意志交响乐团(Deutsches Symphonie-Orchester Berlin、)巴塞尔室内乐团(Kammerorchester Basel)、萨尔茨堡莫扎特乐团(MozarteumOrchesterSalzburg)等。

平诺克近期录制的唱片包括两个独奏唱片,即路易斯•库普兰羽管键琴作品和“200年羽管键琴音乐之旅独奏会,与艾曼纽帕胡德和波茨坦室内学院乐团合作的CPE巴赫长笛协奏曲,与英国皇家音乐学院独奏演员合作的莫扎特风之大组曲和海顿夜曲。

1992年,平诺克获得CBE荣誉(大英帝国司令勋章)。1998年,获得法国艺术与文学勋章。2018年,平诺克获得英国约克早期音乐节终身成就奖。


小提琴演奏 苏菲珍特

苏菲•珍特曾就读于海牙皇家音乐学院,跟随寺神戸亮学习。此后,索菲常以管弦乐团首席演奏家和室内乐演奏家的身份在欧洲和世界各地进行演出,与众多乐团一起演奏、巡演、录制唱片。她是利恰卡尔古乐团(比利时,菲利普•彼埃罗)、皮格马利翁(法国,拉斐尔•皮雄)等乐团的首席,曾出演多个早期音乐系列,参演的音乐节包括波士顿早期音乐节、蒙特利尔巴洛克、爱丁堡艺术节、狂热之日等等。

2011年-2014年,苏菲在阿姆斯特丹国立音乐学院担任巴洛克小提琴老师,同时她也在耶路撒冷早期音乐工作坊和安特卫普音乐学院任教。自2017年以来,索菲在法国的布洛涅-比扬古国立音乐学院任教。


小提琴演奏 马修特拉斯科特 

马修•特拉斯科特是一位多才多艺的小提琴家,专攻古乐器和“现代”演奏,曾与这两个领域中的部分顶级音乐家合作。自2007年起便担任启蒙时代管弦乐团的首席演奏者之一,近期被任命为马勒室内交响乐团的首席小提琴手。作为受欢迎的客座首席演奏者,他以此身份参与过的活动包括与英国协奏团、英国国家歌剧院、荷兰国家歌剧院等合作的演出。他还是圣詹姆斯的巴洛克、古典歌剧和马格达莱纳乐队的首席演奏者。同时,他也是敏锐的室内乐音乐家。其最新唱片包括与特雷沃平诺克、艾曼纽帕胡德和乔纳森曼森合作的巴赫室内乐唱片。马修在伦敦的英国皇家音乐学院教授巴洛克小提琴。                                                                                 


维奥尔琴演奏  乔纳森曼森

乔纳森•曼森是欧洲大提琴和维奥尔琴演奏的领军人物之一。他担任阿姆斯特丹巴洛克古乐团的首席大提琴手长达十年之久,是英国皇家音乐学院的教授。他与该乐团一起录制了150多首巴赫的康塔塔,与大提琴家马友友录制了维尔瓦第的双大提琴协奏曲。目前,乔纳森主要专注于室内乐,演奏文艺复兴时期到浪漫主义时期的曲目。他是维奥尔乐团幻象Phantasm)的创始人之一。乐团曾进行全球巡演,录制众多唱片,其中的一些获得了重要奖项,包括1997年和2004年的留声机大奖。乔纳森还是伦敦海顿弦乐四重奏的大提琴演奏家。乔纳森目前是Dunedin Consort(乐团)的主要大提琴手,并且经常为英国早期音乐合奏团,英国音乐会乐团演奏大提琴。近期的亮点包括受邀在伊丽莎白肯尼、卡洛琳桑普森、劳伦斯卡明斯的小型音乐会上独奏大提琴。作为一名独奏家,他曾在维格莫尔音乐厅、南岸艺术中心、埃森施塔特的海顿音乐厅和纽约的卡内基音乐厅等世界著名演出场馆演奏。


Trevor Pinnock


Trevor Pinnock pioneered performance on historical instruments with his orchestra  The English Concert, which he founded in 1972. Since 2003 he has divided his time between conducting, solo, chamber music and educational projects.

He tours regularly with Maria João Pires and the Deutsche Kammerphilharmonie Bremen and with Emmanuel Pahud and Kammerakademie Potsdam. This season he returns to the Koninklijk Concertgebouworkest Amsterdam, Deutsche Kammerphilharmonie andKammerorchester Basel and works with the Orchestre National de France. As Principal Guest Conductor of the RAM Concert Orchestra he visits Japan to lead them in combined concerts with Tokyo Geidai, University of the Arts Orchestra. His other projects include solo harpsichord recitals and concerts with Matthew Truscott, Sophie Gent and Jonathan Manson.

Recent recordings include two solo recordings, Louis Couperin harpsichord works and a recital ‘Journey - 200 years of harpsichord music’; CPE Bach Flute Concertos with Emmanuel Pahud and the Kammerakademie Potsdam; Mozart’s Gran Partita for winds and Haydn Notturno with the Royal Academy of Music Soloists.

In 2006 Pinnock founded the European Brandenburg Ensemble to celebrate his 60th birthday. Their recording of Bach’s Brandenburg Concertos on the Avie label was awarded a 2008 Gramophone prize. 

Trevor Pinnock is President of the Faversham Music Club in Kent, which puts on a number of popular concerts and social events each year.

Honorary doctorates: University of Ottawa (D. University) in 1993, University of Kent (DMus) in 1995, University of Sheffield (DMus) in 2005 and University of London (DMus honoris causa) in 2016.

He was made a Commander of the Order of the British Empire in the Queen's Birthday Honours in 1992 and an Officier of the French Ordre des Arts et des Lettres in 1998.



Sophie Gent

Sophie Gent was born in Perth, Western Australia and completed her initial training at the University of Western Australia. She subsequently enrolled at the Royal Conservatorium in The Hague to study with Ryo Terakado

Since then Sophie has worked regularly as an orchestral leader and chamber musician in Europe and abroad, performing, touring and recording with numerous ensembles. She is the leader of the Ricercar Consort (Belgium, Philippe Pierlot), Pygmalion (France, Raphael Pichon), and Cappricio Stravagante (France, Skip Sempe), and has performed in many early music series and festivals such as the Boston Early Music Festival, Montreal Baroque, La Roque d'Antheron, The Utrecht Early Music Festival, The Edinburgh Festival, La FolleJournee, The Bruges Early Music Festival... She also performs as first violin with Ensemble Masques (Olivier Fortin), Il Gardellino (Marcel Ponseele), The Collegium Vocale Orchestra (Philippe Herreweghe), Il ComplessoBarocco(Alan Curtis), Bach Concentus(Ewald Demeyere), La Petite Bande (SigiswaldKuijken), and Arcangelo (Jonathan Cohen).

Recent recordings include the Opus 1 instrumental music by Romanus Weichlein with Ensemble Masques. Other recordings with this ensemble include discs of works by J.H Schmelzer and J. Rosenmüller.

From 2011-2014 Sophie was the teacher of baroque violin at the Amsterdam Conservatorium. She has also taught at the Jerusalem Early Music Workshop and at the Conservatorium of Antwerp. She is a regular teacher at the Academy for Early Music in Vannes, and in various musical programmes at the Abbey aux Dames in Saintes. Since 2017 Sophie has been teaching at the Conservatory of Boulogne-Billancourt in France.                                                                          


MATTHEW TRUSCOTT

Matthew Truscott is a versatile violinist who shares his time between period instrument and 'modern' performance, appearing with some of the finest musicians in both fields. One of the leaders of the Orchestra of the Age of Enlightenment since 2007, he has recently been appointed concertmaster of the Mahler Chamber Orchestra, dual roles which he relishes equally. 


In demand as a guest leader, engagements in this capacity have included projects with The English Concert, Le Concert d'Astrée, The King's Consort, Arcangelo, Budapest Festival Orchestra, English National Opera, Dutch National Opera and the Netherlands Chamber Orchestra. He is also leader of St James' Baroque, Classical Opera and the Magdalena Consort.

A keen chamber musician, recent recordings have included a set of Purcell Trio Sonatas with Retrospect Trio, a disc of Bach chamber music with Trevor Pinnock, Emmanuel Pahud and Jonathan Manson, and one of Haydn Piano Trios with Richard Lester and Simon Crawford-Phillips. Matthew teaches baroque violin at the Royal Academy of Music in London.


Jonathan Manson                 

Cellist and viol player Jonathan Manson was born in Edinburgh and received his formative training at the International Cello Centre in Scotland under the direction of Jane Cowan,later going on to study with Steven Doane and Christel Thielmann at the Eastman Schoolof Music in New York. A growing fascination for early music led him to Holland, where hestudied viola da gamba with Wieland Kuijken. For ten years he was the principal cellist of the Amsterdam Baroque Orchestra, with whom he performed and recorded more than 150 Bach cantatas and, together with Yo-Yo Ma, Vivaldi’s Concerto for two cellos. Nowadays Jonathan specialises mainly in chamber music, performing repertoire ranging from the Renaissance to the Romantic. He is a founding member of the viol consort Phantasm,which has toured worldwide and made numerous recordings; several of these have won major prizes, including Gramophone Awards in 1997 and 2004. Jonathan is also the cellist of the London Haydn Quartet, whose recording of Haydn’s op. 50 quartets has just been released on the Hyperion label. Highlights of this season have included tours to Australia,Canada and the USA.


A long-standing partnership with the harpsichordist Trevor Pinnock has led to critically acclaimed recordings of the Bach sonatas for viola da gamba and harpsichord, and,together with Rachel Podger, Rameau’s Pièces de clavecin en concert. Jonathan frequently appears as a principal and continuo player with the Dunedin Consort,Arcangelo, The English Concert and other leading early music groups. Recent highlights have included recitals with Elizabeth Kenny, Carolyn Sampson and Laurence Cummings,being invited to play the solo viol part in George Benjamin’s opera Written on Skin at the Royal Opera House, and an appearance as viola da gamba soloist with the Vienna Philharmonic. As a concerto soloist he has appeared at the Wigmore Hall and the South

Bank Centre, as well as further afield, in Hong Kong, Potsdam, the Haydn Festspiele in Eisenstadt and New York’s Carnegie Hall. Jonathan lives in Oxfordshire and is a professor at the Royal Academy of Music.                                                                                           


曲目单:

CAROLUS HACQUART: Harmonia Parnassia Sonatorum in D minor Op.2 No. 6

罗勒斯•阿卡尔  d小调奏鸣曲, Op.2, No.6选自奏鸣曲集“Harmonia Parnassia Sonatorum”

J.J. FROBERGER Suite No.12 in C major for harpsichord FBwv 612 (11')

J.J.弗罗贝格 C大调第十二羽管键琴组曲 FBwv 612

J.S. BACH Sonata in G major for violin and continuo BWV1021 (8')

J.S 巴赫 G大调小提琴与通奏低音奏鸣曲 BWV1021

J.G. GOLDBERG Sonata in C major for two violins and continuo DürG 13 (11')

J.G. 哥德堡   C大调三重奏鸣曲 为2把小提琴与通奏低音而作 DürG 13


Interval

中场休息


D. BUXTEHUDE Sonata for violin, viola da gamba and continuo, Op.2, No.3 in G minor (11') BuxVW 261

D.布克斯特胡德   g小调三重奏鸣曲 为小提琴、中提琴和通奏低音而作BuxVW 261

J.S. BACH Chromatic Fantasy and Fugue BWV 903 (8')

J.S 巴赫  d小调半音阶幻想曲与赋格 BWV903

G.F. HANDEL Sonata in B flat major for two violins and continuo, Op.2, No.3  HWV 388  (12')

G.F.亨德尔  B大调三重奏鸣曲 为2把小提琴和通奏低音而作 HWV 388


本场音乐会谢绝1.2米以下儿童入场,已购门票概不退换。

本场演出视销售情况,可能开放加座:1楼前3排乐池区域座位、1楼10~11排之间、2楼5排~6排之间。

*曲目以当天演出为准

主办单位:凯迪拉克•上海音乐厅


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